It andy muschietti citation for essay11/10/2023 ![]() No Way Home brought in just under $2 billion for Sony and Marvel, a staggering figure postulating the film as one of the highest-grossing ever.Īpproved by critics, lauded by fans, bringing in a king’s ransom. That’s a heroic accomplishment.”Ībove all else, the numbers don’t lie. Meanwhile, writer Brian Tallerico alluded to No Way Home’s big surprise by asserting: “there’s more going on here than the previews would have you believe.” He went on to say: “More than any movie in the MCU that I can remember, it made me want to dig out my old box of Spider-Man comic books. It’s also a good deal of fun.” Just how exaggerated are we talking? The Guardian, whilst carefully avoiding spilling the beans, referred to the film as “all very meta and self-referential screenwriters Chris McKenna and Erik Sommers hoover up memorable lines from past movies and serve them with a flourish and an exaggerated wink to the audience. Unsurprisingly, the film was met with praise from critics and fans alike. Fans gathered far and wide on release day, brimming with enthusiasm in the hopes of seeing not one, not two, but three Spider-Men swinging, crawling and crime-fighting together. What occurred in the fallout of Tobey Maguire and Andrew Garfield making their highly anticipated return was nothing short of pioneering. This inclusion has been a staple of superhero cinema more or less since the beginning, with examples like Tony Stark in The Incredible Hulk in place to tease the next slew of releases, but it has undoubtedly been revolutionised since the 2021 release of Spider-Man: No Way Home. But no strategy gets people quite as excited as the incorporation of cameo appearances from fan favourite characters and actors. The superhero franchise, boasting its critically acclaimed (and extremely profitable) cinematic universe, employs a wide variety of techniques that keep audiences around the globe returning to their closest big screen with each and every release. It’s no secret that Marvel have had a monopoly on the cinema industry for well over a decade now. In a new age for the genre, its latest recipe for success is fast growing stale.
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